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Landor explained again, with greater detail, vainly trying to impress the nature of a military order on the civilian brain. "It would not do for me to disobey my[Pg 112] instructions. And besides there are several officers who are to follow trails, out with larger commands. I have no pack-train, and I can't."

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Descartes�� theory of the universe included, however, something more than extension (or matter) and motion. This was Thought. If we ask whence came the notion of Thought, our philosopher will answer that it was obtained by looking into himself. It was, in reality, obtained by looking into Aristotle, or into some text-book reproducing his metaphysics. But the Platonic element in his system enabled Descartes to isolate Thought much more completely than it had been isolated by Aristotle. To understand this, we must turn once more to the Timaeus. Plato made up his universe from space and Ideas. But the Ideas were too vague or too unintelligible for scientific purposes. Even mediaeval Realists were content to replace them by Aristotle��s much clearer doctrine of Forms. On the other hand, Aristotle��s First Matter was anything but a satisfactory conception. It was a mere abstraction; the390 unknowable residuum left behind when bodies were stripped, in imagination, of all their sensible and cogitable qualities. In other words, there was no Matter actually existing without Form; whereas Form was never so truly itself, never so absolutely existent, as when completely separated from Matter: it then became simple self-consciousness, as in God, or in the reasonable part of the human soul. The revolution wrought by substituting space for Aristotle��s First Matter will now become apparent. Corporeal substance could at once be conceived as existing without the co-operation of Form; and at the same stroke, Form, liberated from its material bonds, sprang back into the subjective sphere, to live henceforward only as pure self-conscious thought.��Well,�� Dick thought. ��I can only wait and see what happens��and be ready to chase if I am discovered. Maybe I can catch and hold the ��ghost�� till the others get to us.��

ONE:

ONE:Brewster poured himself a glass of beer and drank it contemplatively and was silent. Then he set it down on the bare table with a sharp little rap, suggesting determination made. It was suggestive of yet more than this, and caused them to say "Well?" with a certain eagerness. He shrugged his shoulders and changed the subject, refusing pointedly to be brought back to it, and succeeding altogether in the aim which had brought him down there.

ONE:[Pg 21]

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TWO:On the instant she put her horse to a run and tore off through the gate toward the open country. It was dark, but by the stars she could see the road and its low bushes and big stones that danced by as her horse, with its belly to the ground, sped on. She strained her ears and caught the sound of hoofs. The men were following her, the gleam of her white dress guiding them. She knew they could not catch her. The horse she rode was a thoroughbred, the fastest on the ranch; not even Cairness's own could match it. It stretched out its long black neck and went evenly ahead, almost without[Pg 327] motion, rising over a dog hole now and then, coming down again, and going on, unslacking. She felt the bit steadily and pressed her knee against the hunting horn for purchase, her toe barely touching the stirrup, that she might be the freer in a fall.

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THREE:"Do you object to taking her into your house for a short time?"

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THREE:With wind unchanged the trees which had complicated their landing were behind them. Jeff��s only problem, Larry saw, was to get the craft, heavier with its wing tanks full, off the short runway and over the hangar.

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THREE:

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THREE:The shadow was swallowed up in darkness. The candle had been blown out, and Landor came back to the fire.

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THREE:At length the Duke of Cumberland arrived from Flanders, and foreign and English troops were assembled in the Midland counties; Marshal Wade had also ten thousand men collected at Newcastle-on-Tyne. The Duke of Cumberland was appointed Commander-in-Chief, and the brave soldiers who had fought under him at Fontenoy were ready to follow him, in the highest confidence of making short work with the Highlanders.

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THREE:[Pg 115]��The hydroplane must have its electric running light switched on,�� Sandy mused, unable to convey his idea, because Larry had the engine going full on.

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TWO:[Pg 311]

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THREE:Only when Jeff was warming up the engine, checking carefully on his instruments, taking every precaution against any predictable failure, was there time for a moment together and alone.194

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THREE:94

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THREE:��Now what do you think of your suspicions?�� Dick demanded. Sandy shook his head.

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TWO:[81]��Green cubes!�� Larry broke in. ��Yes��or freeze indigo and get blue ones. What of it?��

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��I think you��re right,�� Dick agreed. ��But what started you off on that track?��He first published an engraving of "The Small Masquerade Ticket, or Burlington Gate," in ridicule of Lord Burlington's architecture, and of Pope's eulogiums on Burlington and satire of the Duke of Chandos. He illustrated "Hudibras," and produced a satirical plate, "The Taste of the Times," in 1724; and, some years after, "The Midnight Conversation" and "Southwark Fair." Not content with the fame which this vein, so peculiarly his own, was bringing him, he had the ambition to attempt the historical style, but this was a decided failure. In 1734, however, he came out in his full and peculiar strength in "The Harlot's Progress." The melancholy truth of this startling drama, mingled with touches of genuine humour, seized at once on the minds of all classes. It became at once immensely popular; it was put on the stage, and twelve hundred subscriptions for the engravings produced a rich harvest of profit. In the following year he produced "The Rake's Progress," which, though equally clever, had not the same recommendation of novelty. In 1744 he offered for sale the original paintings of these subjects, as well as "The Four Times of the Day," and "The Strolling Actresses Dressing in a Barn;" but here he felt the effects of the sturdy English expression of his sentiments on art, and his distributing of an engraving of "The Battle of the Pictures," as a ticket of admission, gave great offence to painters and their patrons. The whole sum received was only four hundred and twenty-seven pounds. Undaunted by his self-injuring avowal of his opinions, he offered in 1750 the pictures of "Marriage �� la Mode" for sale, but put forth an advertisement in such caustic terms, as he reflected on the result of his former auction, that he effectually kept away purchasers, and obtained only a hundred and twenty pounds for what Mr. Angerstein afterwards gave a thousand pounds for. His "March to Finchley" being sent for the royal inspection, so impressed George II. with the idea that it was a caricature of his Guards, that, though the engraving of it was dedicated to him, he ordered the picture out of his sight, with expressions of great indignation. Hogarth quietly substituted the name of the King of Prussia in the dedication, as "an encourager of the arts."And now it was a struggle of sheer force and agility. She managed to whip out the knife from her belt and to strike time and time again through sinewy flesh, to the bone. The only noise was the dragging of their feet on the sand, the cracking of the willows and the swishing of the blade. It was savage against savage, two vicious, fearless beasts.[70]

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